The Women’s Prize for Non-Fiction: Who Made It Onto the First Ever Longlist?

The ancient mythology of islands ruled by women winds through the literature of the British Isles – from Roman colonial-era reports, to early Irish poetry, Renaissance drama to Restoration utopias – transcending and subverting the most male-fixated of ages. The Britannias looks far back into the past for direction and solace, while searching for new meaning about women’s status in the body politic. Boldly upturning established truths about Britain, it pays homage to the islands’ beauty, independence and their suppressed or forgotten histories.

Free markets aren’t really free. Record corporate pro­fits don’t trickle down to everyone else. And we aren’t empowered to make our own choices – they’re made for us every day. Grace Blakeley takes on the world’s most powerful corporations and shows our modern crisises are the intended result of our capitalist system. It’s not broken, it’s working exactly as planned. From JPMorgan to Boeing, Henry Ford to Richard Nixon, Blakeley shows us exactly where late-stage capitalism has gone wrong.

Eve is not only a sweeping revision of human history, it’s an urgent and necessary corrective for a world that has focused primarily on the male body for far too long. Bohannon’s findings, including everything from the way C-sections in the industrialized world are rearranging women’s pelvic shape to the surprising similarities between pus and breast milk, will completely change what you think you know about evolution and why Homo sapiens have become such a successful and dominant species, from tool use to city building to the development of language.

What makes a good death? A good daughter? In 2009, with her forties and a harsh wave of austerity on the horizon, Marianne Brooker’s mother was diagnosed with primary progressive multiple sclerosis. She made a workshop of herself and her surroundings, combining creativity and activism in inventive ways. But over time, her ability to work, to move and to live without pain diminished drastically. Determined to die in her own home, on her own terms, she stopped eating and drinking in 2019.  

Shadows at Noon tells the subcontinent’s story from the British Raj through independence and partition to the forging of the modern nations of India, Pakistan and Bangladesh. Unlike other histories of the region which concentrate exclusively on politics, here food, leisure and the household are given as much importance as nationhood, migration, and the state.

On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. The thunderclap was heard over seventy miles away. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving only his haunting masterpiece The Goldfinch and barely a dozen known paintings. The explosion that killed him also buried his reputation, along with answers to the mysteries of his life and career. What happened to Fabritius before and after this disaster is just one of the discoveries in a book that explores the relationship between art and life.

Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs – a war that has led to the slaughter of thousands – immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.

Looking for wonder and some reprieve from the everyday, Anna Funder slips into the pages of her hero George Orwell. As she watches him create his writing self, she tries to remember her own. When she uncovers his forgotten wife, it’s a revelation. Eileen O’Shaughnessy’s literary brilliance shaped Orwell’s work and her practical nous saved his life. But why – and how – was she written out of the story? Using newly discovered letters from Eileen to her best friend, Funder recreates the Orwells’ marriage, through the Spanish Civil War and WWII in London and is led to question what it takes to be a writer – and what it is to be a wife.

During pregnancy, childbirth, and early motherhood, women undergo a far-reaching physiological, psychological and social metamorphosis. There is no other time in a human’s life course that entails such dramatic change – other than adolescence. And yet this life-altering transition has been sorely neglected by science, medicine and philosophy. Its seismic effects go largely unrepresented across literature and the arts. Speaking about motherhood as anything other than a pastel-hued dream remains, for the most part, taboo.

What if you woke up one morning and found you’d acquired a double? Someone almost like you, and yet not you at all? When Naomi Klein discovered that a woman who shared her first name, but had radically different, harmful views, was getting chronically mistaken for her, it seemed too ridiculous to take seriously. Then suddenly it wasn’t. She started to find herself grappling with a distorted sense of reality, becoming obsessed with reading the threats on social media. The endlessly scrolling insults from the followers of her doppelganger. Why had her shadowy other gone down such an extreme path? Why was identity – all we have to meet the world – so unstable?

Noreen Masud has always loved flatlands. Her earliest memory is of a wide, flat field glimpsed from the back seat of her father’s car in Lahore. As an adult in Britain, she has discovered many more flat landscapes to love: Orford Ness, the Cambridgeshire Fens, Morecambe Bay, and Orkney. These bare, haunted expanses remind her of the flat place inside herself. Noreen suffers from complex post-traumatic stress disorder. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain’s flatlands, seeking solace she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life. 

In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. That, in itself, is a story. But it’s not the whole story. How does one uncover the lives of people who, in their day, were considered property?

What does it mean to be human in a world that is rapidly changing thanks to the development of artificial intelligence, of automated decision-making that both draws on and influences our behaviour? Through the voices of ordinary people in places far removed from Silicon Valley, Code Dependent explores the impact of a set of powerful, flawed, and often exploitative technologies on individuals, communities, and our wider society. Madhumita Murgia, AI Editor at the FT, exposes how AI can strip away our collective and individual sense of agency – and shatter our illusion of free will.

The Dictionary People: The Unsung Heroes who Created the Oxford English Dictionary by Sarah Ogilvie

The Oxford English Dictionary has long been associated with elite institutions and Victorian men. But the Dictionary didn’t just belong to the experts; it relied on contributions from members of the public. By 1928, its 414,825 entries had been crowdsourced from a surprising and diverse group of people, from astronomers to murderers, naturists, pornographers, suffragists and queer couples.

Sixteenth-century Europe: Renaissance masters paint the ceilings of Florentine churches, kings battle for control of the Continent, and the Reformation forever changes the religious organisation of society. Amidst it all, three young women come of age. Drawing on new archival research, Young Queens masterfully weaves the personal stories of Catherine de Medici, Mary Queen of Scots and Elisabeth de Valois into one, revealing their hopes, dreams, desires and regrets in a time when even the most powerful women lived at the mercy of the state.

Born in Montego Bay, Jamaica, Safiya Sinclair grew up guarding herself against an ever-present threat. Her father, a volatile reggae musician and strict believer in a militant sect of Rastafari, railed against Babylon, the corrupting influence of the immoral Western world just beyond their gate. To protect the purity of the women in their family he forbade almost everything: nowhere but home and school, no friends but this family and no future but this path. In seeking to understand the past of her family, Safiya Sinclair takes readers inside a world that is little understood by those outside it and offers an astonishing personal reckoning.